Since we just witnessed the moving spectacle of a royal funeral, wanted to share some of my favorite images I shot at Windsor Castle during one of our great British holidays. Really a special place Windsor Castle, and so amazing to see it during special occasions filled with people. Easier to shoot without all the people though.
August 5, 2021
During lockdown last year, one of the charcoal drawings I did was this bobcat skull.
It's about 20x18 inches and a lot of fun to create. It was recently chosen for inclusion in the Pittsburgh Society of Artists 55th annual exhibit. Pretty nice since it was a juried exhibit and many people that submitted did not get in. The exhibit is in a gallery space in Pittsburgh's historic South Side and runs from July 9 to August 28. I started this by toning white the paper with charcoal, and then drawing over that, and finally lifting out the highlights with an eraser.
The actual drawing itself is much larger than the skull. Below is my studio set up when doing a drawing from life of a single small item.
I have a big old drawing table that inclines to a nice angle. The surface is all nicked up, so I put a clean drawing board on that to draw on. To my left, under the light, I built a shelf out of foam-core to sit small subjects on. I like this setup because it gets me close as I can be to the subject to see it well.
July 8, 2021
Every year July in Pennsylvania brings me thoughts of the battle of Gettysburg. I have visited the battlefield several times and I was geeked up enough to create these commemorative banners for the Gettysburg 150 a few years ago. I did one for each day of the battle and used them as banners on my Facebook page.
I created these by first, drawing and sketching in pencil all the individual elements as stand alone pieces. Then I scanned each drawing into my computer. Next I did a bunch of paint splotches with different types of paint on pieces of scrap canvas, and scanned those in. Once everything was digitized, the fun began.
Using Photoshop, I then designed and composed each of these to the proportionate size of a Facebook banner. At that time I had them on a white background with square cut edges. Then I thought it would be cool to put these on a textured, antique paper and create a weathered, distressed look to the edges.
The fast trick in Photoshop to layering imagery like pencil drawings over texture, is to put the pencil drawn layers in multiply mode. That way everything that is not pencil drops out - But even so, the pencil drawing still needs to be sharpened and cleaned up a LOT first or it will look dirty. These were super fun to create and they, along with the entire poster, are now available for purchase by clicking HERE.
October 26, 2020
One art exhibit I was really looking forward to visiting this year was the exhibit of portraits in charcoal by John Singer Sargent at the National Portrait Gallery in Washington D.C. Covid 19 ruined that for me, but I recently purchased the exhibition catalogue. While it is no substitute for seeing the originals, the book is still great to have. Thankfully the beautiful catalogue totally does justice to Sargent's work.
Sargent's highly finished charcoal drawings and quick sketches are just as sumptuous as his oil paintings, which I have seen in person many times. I can only imagine what it must be like to be the owner of one of these original drawings, having it handed down to you from earlier family generations.
Like many exhibition catalogues the print quality is exceptional. Book reproductions of oil paintings can sometimes lose the impact of the originals, as far as brush work details and textures go. You do not really have that problem with reproductions of charcoal drawings, so that makes missing the actual exhibit a bit less painful.
I own a Dover publication of John Singer Sargent drawings, and just purchased a book of his drawings from another publisher as well, and neither are reproduced in full color - which you would think would not matter since the originals are done with charcoal - but it does matter.
The exhibition catalogue is printed in full color and the detail is superior. Also you get to see the varied shades of paper Sargent used and how that effects the tones and the overall look of each piece. Plus the catalogue shows details of select images, probably enlarged to the same size as his originals (he did most within an 18x24 inch area) so those blown up details are always interesting.Image
Finally, aside from the fantastic images, it was fun to read about each of Sargent's sitters and their families reactions to the finished work. Hard to believe, but some of them were not pleased with the results! It was also interesting to read that Sargent used pieces of bread to lift out areas of tone to create highlights. I really have to try that one.